ARTISTIC AND SOCIAL CONTENT OF “DILBAR – DAUGHTER OFTHE ERA”
Keywords:
Oybek, Dilbar image, women’s emancipation, spirituality, enlightenment, social progress, artistic image, conscious personality, literary analysis, era and individual, social conflict.Abstract
This article analyzes the artistic and socio-philosophical content of Muso
Toshmuhammad o‘g‘li Oybek’s work “Dilbar – Daughter of the Era.” Through the image of Dilbar, the author highlights the socio-spiritual transformations that occurred in Uzbek society at the beginning of the 20th century. The character is revealed as a conscious, aspiring, and free-thinking individual, and the issue of women’s role and status in society is artistically interpreted. The article examines the ideological orientation of the work, its enlightenment spirit, the conflict between old and new views, and the issue of women’s emancipation on a scientific basis. It also provides conclusions
about Oybek’s artistic style, his mastery in character creation, and the contemporary relevance of the work.
